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Sir Joshua Reynolds Portrait of Charles Coote, 1st Earl of Bellamont oil painting


Portrait of Charles Coote, 1st Earl of Bellamont
Painting ID::  77118
Sir Joshua Reynolds
Portrait of Charles Coote, 1st Earl of Bellamont
1773 cjr

   
   
     

Sir Joshua Reynolds Portrait of Elizabeth Gunning, Duchess of Hamilton and Duchess of Argyll was a celebrated Irish belle and society hostess. oil painting


Portrait of Elizabeth Gunning, Duchess of Hamilton and Duchess of Argyll was a celebrated Irish belle and society hostess.
Painting ID::  77209
Sir Joshua Reynolds
Portrait of Elizabeth Gunning, Duchess of Hamilton and Duchess of Argyll was a celebrated Irish belle and society hostess.
1760(1760) Oil on canvas 238.5 ?? 147.5 cm (93.9 ?? 58.1 in) cjr

   
   
     

Sir Joshua Reynolds Portrait of John Stuart, 3rd Earl of Bute oil painting


Portrait of John Stuart, 3rd Earl of Bute
Painting ID::  77319
Sir Joshua Reynolds
Portrait of John Stuart, 3rd Earl of Bute
1773(1773) Oil on canvas 236.9 ?? 144.8 cm (93.3 ?? 57 in) cjr

   
   
     

Sir Joshua Reynolds Portrat des Lord Heathfield, Gouverneur von Gibraltar oil painting


Portrat des Lord Heathfield, Gouverneur von Gibraltar
Painting ID::  77322
Sir Joshua Reynolds
Portrat des Lord Heathfield, Gouverneur von Gibraltar
1787(1787) Oil on canvas 142 ?? 113.5 cm (55.9 ?? 44.7 in) cjr

   
   
     

Sir Joshua Reynolds Portrait of Sir Banastre Tarleton oil painting


Portrait of Sir Banastre Tarleton
Painting ID::  77458
Sir Joshua Reynolds
Portrait of Sir Banastre Tarleton
Date 1782(1782) Medium Oil on canvas Dimensions 236 ?? 145 cm (92.9 ?? 57.1 in) cyf

   
   
     

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     Sir Joshua Reynolds
     British 1723-1792 Sir Joshua Reynolds Locations Reynolds was born in Plympton, Devon, on 16 July 1723. As one of eleven children, and the son of the village school-master, Reynolds was restricted to a formal education provided by his father. He exhibited a natural curiosity and, as a boy, came under the influence of Zachariah Mudge, whose Platonistic philosophy stayed with him all his life. Showing an early interest in art, Reynolds was apprenticed in 1740 to the fashionable portrait painter Thomas Hudson, with whom he remained until 1743. From 1749 to 1752, he spent over two years in Italy, where he studied the Old Masters and acquired a taste for the "Grand Style". Unfortunately, whilst in Rome, Reynolds suffered a severe cold which left him partially deaf and, as a result, he began to carry a small ear trumpet with which he is often pictured. From 1753 until the end of his life he lived in London, his talents gaining recognition soon after his arrival in France. Reynolds worked long hours in his studio, rarely taking a holiday. He was both gregarious and keenly intellectual, with a great number of friends from London's intelligentsia, numbered amongst whom were Dr Samuel Johnson, Oliver Goldsmith, Edmund Burke, Giuseppe Baretti, Henry Thrale, David Garrick and fellow artist Angelica Kauffmann. Because of his popularity as a portrait painter, Reynolds enjoyed constant interaction with the wealthy and famous men and women of the day, and it was he who first brought together the famous figures of "The" Club. With his rival Thomas Gainsborough, Reynolds was the dominant English portraitist of 'the Age of Johnson'. It is said that in his long life he painted as many as three thousand portraits. In 1789 he lost the sight of his left eye, which finally forced him into retirement. In 1791 James Boswell dedicated his Life of Samuel Johnson to Reynolds. Reynolds died on 23 February 1792 in his house in Leicester Fields, London. He is buried in St. Paul's Cathedral.

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